The musicians were pretty talented, which is pretty important for jazz musicians. They employed a great deal of improvisation. There were many instances where one musician would go off on a solo, and the audience would applaud. This was a performance where applause was discouraged. This worked well for the performance because the applause seemed to fuel the performers. I was expecting to hear jazz akin to that played during the nineteen twenties. However he performers played jazz that sounded more like the smooth jazz that my dad used to listen to on the old radio station the Oasis. The band as I can best recall was made up of an electric bass player, an electric guitar player, a drummer, a keyboard player and a saxophonist. The saxophonist seemed to be the centerpiece of the band as most of the time the other musicians just seemed to be backing him up. The bass player also stood out as someone who was particularly talented to me. In most music I listen to the bass takes a back seat to the rest of the instruments, but the bass was very prominent in this performance. The performers were very groovy. If I couldn’t hear I would have still probably been able to tell what type of music they were playing just by the way that the performers moved.
Although I am not a big fan of jazz, I could still appreciate the skill of the musicians and recognize some elements of music culture. It is not really my thing but I can understand why people who enjoy it would come out to the Dallas Museum of Art every couple of Thursdays to enjoy the jazz. It’s not something I would do regularly because it’s kind of out of the way, but it is something I would consider doing again if I needed some place classy to take someone I want to impress.
Jazz in the Atrium. Freddie Jones Jazz. Perf. Freddie Jones, Aaron West, Allen Cato, Gordon Pope, Lawrence Ferrell, Mike Finkel. Dallas Museum of Art, Dallas. April 1, 2010.
Jones, Freddie. "Freddie Jones." Web log post. Freddies Jones on Myspace. 30 Mar. 2010. Web. 06 Apr. 2010.
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